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Welcome to the film scoring site of Michael Klubertanz.


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Specializing in acoustic and orchestral music, Michael Klubertanz is a composer with a great stylistic versatility which enables him to find just the right tone for each project he devotes himself to. His strong conceptual approach is sure to deliver practical solutions for all possible tasks, thus making him a reliable and trusted creative partner. Classically trained, the german musician is working professionally as composer, conductor, arranger and pianist in a great variety of genres, perfoming opera, symphonic music and chamber music as well as works from the rock, pop and jazz genres. The swedish sample instrument company Precisionsound relies on his demos regularly as well as the Indian manufacturer Crypto Cipher. He is currently teaching at the Stuttgart University of Music and Performing Arts. Having always been fascinated with film, it was only natural for him to express himself sonically in this medium. The ever-increasing number of scores he produces documents his range of formats, from small, animated shorts, to feature length films. His music has been awarded multiple times.

WUTHERING HEIGHTS - nominated for best score at FLIC 2019

MAKING TIME - best score Festigious Awards Los Angeles 2019

THE RADICALIZATION OF JEFF BOYD - 8 times best score in 2018/19

MAX TOPAS - nominated for best score at San Diego Festival 2019

Watch the INTERVIEW with Michael Klubertanz

Michael Klubertanz


Feel free to discover the wealth of music on this site!



mainly Cubase with a variety of software samplers and many sample libraries as well as a big selection of synthesizers, making it possible to cover about every possible musical demand (classical, rock, pop, jazz, electronic, world ...)


John Williams, Jerry Goldsmith, Bernard Hermann, Ennio Morricone, Danny Elfman, James Horner, John Barry, too many ... and of course all the classical composers of symphonic and operatic works


Do whatīs right for the movie.
Donīt copy, create.
Write music that is never in the way, but that is also never empty or boring without the picture.
Work conceptually.
Believe in melody and harmony, but donīt be predictable.
Create music, not musical effects.
Texture is preferable to flat perfection.

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